Keywords Index

All issues
:: Abyaneh Comparison of Gereh-chini Decorations in Visual Structure of theOpening Windows of the two Historical Villages of Masouleh and Abyaneh [Volume 10, Number 19]
:: Achaemenid Art Review and Comparison of the Visual Characteristics of Anubanini and Bistoon Rock Reliefs [Volume 10, Number 19]
:: Adler Planetarium and Astronomy Museum A Comparative Study of Motives and Decoration of Iranian Safavid and Indian Mongolian Astrolabes (case study: Adler Planetarium and Astronomy Museum, Chicago) [Volume 9, Number 17]
:: Afterlife representations Comparative Study of Afterlife Representation in Mir Heydar’s Mi’raj-nama and Bethlehem Church in Isfahan to Exemplify Coomaraswamy’s True Philosophy of Art [Volume 14, Number 28]
:: Ahriman The Comparative Study of Creation Myth in Zarvan Cult and Myths of Australian Aborigines [Volume 4, Number 8]
:: Architectural Decoration A Comparative Study of Architectural Decoration in the Baysonghori Shahnameh and Ibrahim Mirza's Haft Awrang Paintings [Volume 9, Number 18]
:: Architectural design A comparative study of the works of Le Corbusier and Zaha Hadid with regard to convergent and divergent Guilford's theory in architectural design [Volume 14, Number 27]
:: ArdehKhani A comparative study of the role of women in the mourning music of the Bakhtiari and Sistani tribes (with an emphasis on examining the mourning rituals of Gagrivah and Ardehkhani) [Volume 14, Number 28]
:: Astrology A comparative study of depiction of astronomical texts and astrological texts in Iranian painting [Volume 11, Number 22]
:: Baloch. The Comparative Study of Designs of Kalporegan Potteries and Baloch Needlework [Volume 4, Number 8]
:: Barthes and Greimas Comparative Study of Portraits of The Preceding and Recent Kings of Qajar Engraved on Coins and Medals in Terms of Sociological Semiotics [Volume 12, Number 23]
:: Baysonghori Shahnameh A Comparative Study of the Mourning Rituals in Three Illustrations of Demot Shahnameh and Single Illustrations of Baysonghori Shahnameh [Volume 8, Number 16]
:: Beyzai. A Comparative Study of the Concept of »Motherland« in the Cinema of Andrey Tarkovsky and Bahram Bayzai: A Case Study of the Films The Mirror and Bashu the Little Strange [Volume 15, Number 29]
:: Blackhand. A comparative study of the content of Black Hand and Banksy's artworks in street art examples (graffiti) [Volume 11, Number 22]
:: Blue3. The Emergence of Abstract Symbols in Joan Miró's Blue Trilogy: A Comparative Analysis from the 1920s to the 1960s [Volume 15, Number 29]
:: Byung-Chul Ha Examining the Semantic Status of Eros Based on Byung-Chul Han’s Perspective with a Focus on the Film Shame [Volume 15, Number 29]
:: Cairo An Investigation of Models of Installation of Memorial Buildings in the Two Urban Axes of the 9th and 10th Centuries AH based on Two Historical Texts [Volume 10, Number 20]
:: Carol Introducing Models of Teaching for Visual Art Criticism Courses [Volume 5, Number 10]
:: Cartier Using the Kansei Engineering Technique in the Comparative Study of the Emotional Influences of Designs of the Superior Gold and Jewelry Brands on Iranian Female Students; (Case study: 2017 Designs of Tiffany & Co and Cartier Brands and Cartier Brands) [Volume 8, Number 16]
:: Chalipa Comparative Study of Analogous Cross Calligraphic Style by Gholam Reza Isfahani and Gholam Hossein Amir Khani [Volume 7, Number 14]
:: Christopher Nolan The world as a Dream, a Comparative Study in Ibn Arabi’s Thought and the Film Inception [Volume 8, Number 16]
:: Comparative Studies. A comparative study of the use of technology in art curriculum in selected countries in order to provide guidelines for art education in Iran [Volume 14, Number 28]
:: Comparative study. A comparative study of decorations in the architecture of courtyards of Qajar and first Pahlavi period houses in Shiraz [Volume 13, Number 26]
:: Comparison. Comparison the Model of Architectural Traditionalism with the Language of Christopher Alexander's Pattern (An Approach to Developing a Process-Oriented, the System of Traditional Architectural Pattern) [Volume 12, Number 24]
:: Cultural Semiotics Discourse Analysis of the Position of Fath-Ali Shah and Naser al-Din Shah’s Bodies in Qajar Semiosphere [Volume 9, Number 18]
:: Current period Mohammadreza Emadi* Mohammad Taghi Ashoori **Asghar Kafshchian Moghadam [Volume 5, Number 10]
:: Damien Hirst. Comparative Study of Uncertainty Characteristic in the Works of Two Contemporary Artists (Damien Hirst and Michael Borremans) [Volume 8, Number 16]
:: Davari Shahnameh. A Comparative Study of Calligraphy Styles in Shahnameh Manuscripts of Rashida and Davari [Volume 8, Number 15]
:: Decoration. Studying inscriptions and decorations of Zand and Qajar talismanic shirts preserved in Iranian museums [Volume 11, Number 21]
:: Distortion A study on the effects of imported engravings on the structure of Farangi-sazi in Safavid’s era based on the views of Ernst Gombrich and Kendall Walton [Volume 10, Number 20]
:: Epic themes A Comparative Study of the Most Widely Used Themes of Painting in Ilkhanid and Timurid Illustrated Manuscripts [Volume 8, Number 16]
:: Eslīmī and ḵatāʾī motifs. Plant Motifs on the Tiles of the Ruined Jahānnāma Pavilion with Other Safavid Palaces [Volume 12, Number 24]
:: Estee Lauder. A Comparison of the use of the archetype of the lover in the visual characteristics and personality of three brands: Chanel, Nescafe and Estee Lauder [Volume 15, Number 29]
:: Every day the same dream" A Comparative Study from Viewpoints of “Ludology” and “Narrotology” to Analysis of Aesthetic Modalities of Serious Games [Volume 7, Number 14]
:: Existentialism A Comparative Analysis of the Sacrifice of the Son in the Paintings of Mohammad Zaman and Marc Chagall Based on Søren Kierkegaard’s Perspective on the Story of Prophet Abraham [Volume 15, Number 29]
:: Facilitators. Demystifying of Design Thinking and its Principles [Volume 6, Number 11]
:: Farhad Study of Four Persian Paintings of Qajar Era according to the visual perception theory of Ernest Hanes Josef Gombrich’s (Case study: “Farhad carries Shirin’s horse on his back”) [Volume 7, Number 13]
:: Fath-Ali Shah. A comparative study of stone relief from the Sassanid and Qajar era [Volume 8, Number 15]
:: Feminist Criticism. Comparative analysis of gender representation in Jacques Louis David's [Volume 13, Number 25]
:: Forceville. An Examination of the Cover Designs of "Hug Me" by Ciraolo, A Comparative Analysis of the Persian and English Editions Using Forceville's Metaphorological Framework [Volume 14, Number 28]
:: Frederick Perls A Study of Cartier-Bresson's "Decisive Moment" Theory and Its Comparison with Frederick Perls "Gestalt Therapy" Theory [Volume 9, Number 18]
:: Genetic Structuralism A Comparison of Meaningful Structure of Paintings and Social Class of Artists in the Illumination of the Great Shahnama of Ilkhanid and SAMAK-E AYAR [Volume 10, Number 19]
:: Gerard Genet Analysis of the image of to tie up Zahak in Tahmasbi and Rashida Shahnameh based on Gerard Genets narratology approach [Volume 12, Number 23]
:: Gerard Genet. The angle of view in the Ascension of the Prophet (PBUH) from Khamsa Nizami, based on the theory of Gérard Genet [Volume 14, Number 28]
:: Giorgio Vasari Two Attitudes toward Art History: A Comparative Study of Philosophy of Art History of Qādī Ahmad Qomi and Giorgio Vasari in “Golestān-e Honar” and “Lives f the Artists” [Volume 8, Number 16]
:: Gospel. A Comparative Study of the Illumination of Armenian Religious Texts of Isfahan with Illumination of Isfahan's Quran in the Safavid era [Volume 8, Number 15]
:: Graphic. Comparison of visual equilibrium in Nastaliq's graphic arts; Safavid and contemporary style, based on the works of Mir'emad & Amirkhani [Volume 8, Number 15]
:: Gulru Necipoglu A Comparative Study on Islamic Art Patterns In the View of Perennial Philosophy and Historians and Based on the Views of Keith Critchlow and Gulru Necipoglu [Volume 9, Number 17]
:: Haft Peykar Semiotic Criticism of Bahram-e-Gour dar Gonbad-e Sepid Miniature on the basis of Pictorial Codes of Umberto Eco [Volume 4, Number 8]
:: Historiography. Analysis of narratives in the art of calligraphy in Golestan art historiography and Managheb Honarvan [Volume 11, Number 21]
:: Human Images. Comparative Study of Characteristic of Human Images in Hunting Carpets and Miniatures in the Tabriz’s Second School [Volume 13, Number 25]
:: Hushang Shahi Rug Reading the Hooshang Shahi's Pictorial Rug with the Comparative Mythology Method [Volume 9, Number 18]
:: Ilkhanid and Timurid Studying Mandarin Square Badge Designs in Ilkhanid and Timurid Garments and Matching them with Yuan and Ming Chinese Garments [Volume 10, Number 19]
:: Ilkhanid period. A comparative study of knotting decorations and knot tools Used in Ghaffarieh and Kabud domes of Maragheh city [Volume 12, Number 23]
:: Imam Reza A Comparative Study of Two Ta’ziyehs of Imam Reza’s Martyrdom [Volume 4, Number 8]
:: Intertextual Approach A Comparative Study on the Press Pictorial Logotypes and the Cultural Codes in Constitutional Poetry in Qajar Era [Volume 7, Number 14]
:: Intertextuality Providing a Model for Shaping the Subject in Comparative Studies and Research in the Field of Art with Emphasis on Interdisciplinary Studies [Volume 10, Number 19]
:: Iran. A comparative study of pragmatist aesthetics in two examples of painting poetry by artificial intelligence from the two cultures of China and Iran (the studied examples: the work of birds and fishes by Mahmoud Farshchian and the work of Koh Bahar and the fishing boat) [Volume 14, Number 28]
:: Iranian Shahsevan Tribe A Comparative Study of the Design and Pattern Structure of Shahsevan Rugs in Iran North-west, Center and South of Iran [Volume 6, Number 11]
:: Iranian universities web design. A Comparative Visual Research between Universities’ Websites in Iran and the Other Countries [Volume 6, Number 11]
:: Iranian-Islamic painting A comparative study of the visual elements of three images from the books Jame al-Tawarikh and Majam al-Tawarikh with the subject of the Battle of Uhud [Volume 15, Number 29]
:: Islamic Architecture A Comparative Study into “Gere Geometric Designs” in Islamic Architecture and Principle of “Perceptual Creation” in the Mystical Thoughts of Ibn Arabi [Volume 8, Number 16]
:: Islamic Pottery and Tiles The Interpretations of Medieval Persian Ceramics by the Traditionalists and Historians [Volume 11, Number 21]
:: Jacque Derrida Comparative Analysis of Writing in Aesthetic Action of Cy Twombly and Fereydon Ave according to Derrida's ideas [Volume 9, Number 18]
:: Javad rostam shirazi Comparative Study of “javad rostam shirazi” and “Eisa bahadori” Methods in Isfahan carpet designing with an Emphasis on Mortifying Methods [Volume 7, Number 14]
:: Jean-Leon Gerome. Redefining identity in the artworks of Jean Leon Gerome based on the orientalist approach of Edward Said [Volume 12, Number 24]
:: John Szarkowski Gender Representation in the Painting and Photography during the Naseri Era based on John Szarkowski's Theory [Volume 11, Number 21]
:: Kurgani stripes. A Comparative Study of Kurgani Stripes’ Pattern in the Kilim of Shahsavan Tribe and the Kilim of Sedentary People of Ardebil Province in the Late Qajar Time [Volume 5, Number 9]
:: Layout A Comparative Study of Abulvafa Buzjani's Views on the Geometric Structure of Qajar Marriage Certificate [Volume 9, Number 18]
:: Maria Nikolajeva and Carole Scott A Comparison of Relationship between Text and Picture in the Selected Iranian and Contemporary American-European Illustrated-Fiction Books Based on the Theory of Maria Nikolajeva and Carole Scott [Volume 5, Number 9]
:: Ming Investigating the mutual influences of Iran and China in the design of hand-woven carpets (the Safavid period in Iran coincides with Ming and Qing) [Volume 13, Number 25]
:: Mohammad Davari. Comparative Study in the Painting Components of Qajar Period and“Emad al-Kottab” Shahnameh [Volume 5, Number 10]
:: Mohammad Zaman. The comparative analogy of the structure and content of Sacrifice of Ismael painting: a case study of the work in Haftanan (Zand era) and Mohammad Zaman's work (Safavi era) [Volume 15, Number 29]
:: Mr. Asrari's press world play A comparative study of the main characters of Staircase plays and Mr. Asrari's press world from the perspective of Hans Eysenck's trait psychology [Volume 15, Number 29]
:: Multi-petal flowers The Study of Floral Motifs in Pre-Islamic Iran and its Comparison with the Signs of Quran in 4th- 9th centuries AH [Volume 6, Number 11]
:: Museum Defining the relationship between the evolutions of the museum institution and the nationalism discourse in the modern and postmodern era [Volume 12, Number 23]
:: National Gallery of London A Comparative Analysis of Anachrony in the Narrative Discourse of the Sainsbury Wing at the National Gallery in London based on Gerard Genette's Theory [Volume 11, Number 22]
:: National identity. A Comparative Study of the Theme of Hunting in Historical Sources and Visual Media in the Era of Fath Ali Shah Qajar [Volume 14, Number 27]
:: Nomkhubulwane. A Comparative Study of Zulu Goddess and God the Father in Durban’s Mural Painting Based on Bhabha’s Third Space Theory [Volume 6, Number 12]
:: Northrop Frye. Reading the Ascension (Meraj Nameh) writing of the Holy Prophet (pbuh) (Ilkhani and Timurid period) from the perspective of ancient Iranian mythology [Volume 11, Number 22]
:: Painting Comparative Study of Illustration of three Manuscripts from the “Kitab al-Hiyal” Written by Badi' al-Zaman al-Jazari [Volume 9, Number 17]
:: Painting of the enunciation of the birth of Jesus A visual narration and a comparison of the pictures of the enunciation of the birth of Jesus in Islam and Christianity [Volume 11, Number 21]
:: Philip Auslander Exploring the Concept of Liveness in Performance Studies from the Perspective of Peggy Phelan and Philip Auslander [Volume 13, Number 25]
:: Pottery A Comparative Study of Bakhtiari Nomadic Handwoven Motifs with Prehistoric Pottery of Southwest Iran [Volume 9, Number 17]
:: Product Design Semiotic Criticism of the Works of Philippe Stark from Barthes’ View [Volume 7, Number 14]
:: Proportion The study of Courtyard Proportions in Safavid Mosques of Isfahan [Volume 5, Number 10]
:: Qajar Dynasty. The Effects of Socio-historical Factors in Iranian Qajar Dynasty on Development of the Nassery Era’s Ta’zieh [Volume 5, Number 10]
:: Rembrandt’s early self-portraits Reading the Rembrandt’s Self-Portraits Based on the Concept of Lacanian Object [Volume 10, Number 19]
:: Renaissance The History of Art based on the Artist in Two Worlds: The Beginning of Art History in the West and Iran [Volume 5, Number 9]
:: Rostam and White Demon Comparison of the transformation of the demon motif in the paintings of the last Khan of the Qajar Shahnamehs with the Timurid and Safavid periods [Volume 14, Number 27]
:: Royal Reception Mura Criteria of Artistic Expression in the First and Second Half of Qajar Era with an Emphasis on the Murals of Royal Reception in Negarestan Palace and Nezamiyeh Mansion [Volume 10, Number 19]
:: Safavid Comparative Study of Wall Paintings (Hunt, Banquet and Polo) in Ganjalikhan Caravanserai in Kerman and Pirnia House in Naein [Volume 9, Number 18]
:: Safavid Minature The Figural Composition and Subject in Iranian Miniatures: A case study of Shah Tahmasb’s Shahnama [Volume 5, Number 10]
:: Safavid era Comparative study of Prefaces written by Doust Muhammad Gvashany Qutb al-Din Muhammad sources Safavid art [Volume 7, Number 13]
:: Safavids Diplomacy and representation: A comparative analysis of the representation of the Safavid ambassador in the presence of the Mughal and Ottoman rulers [Volume 10, Number 20]
:: Sam nameh An intertextual study of the role of [Volume 12, Number 23]
:: Sarbisheh A Comparative Study and Analysis on Motifs of Pottery in Kahnek Site and Traditional Kilim Motifs and Contemporary Mentally-weaved Rugs in Sarbisheh county in South Khorasan province [Volume 9, Number 17]
:: Saturn Seven armed, elephant-legged Shapour or Saturn? (Study an Image in Iskandarnāma Naghali(1856-57AD) [Volume 9, Number 17]
:: Scientific Illustration Comparative Study of Scientific Depiction of Alhshaysh Version in Astan Quds Razavi and its Former Counterpart’s Versions [Volume 7, Number 13]
:: Seymour Chatman. Narratological analysis of art museums with emphasis on the concept of framing as the events dimension based on Mieke Ball & Symour Chatman’s Theories [Volume 14, Number 27]
:: Shahnameh Tahmasebi Comparative Approach to the Relationship Between Text and Hand Visual Language in Tahmasebi’s Shahnameh Pictures [Volume 10, Number 20]
:: Shahrukh A Comparative Study between the Texts and Images of Abu Bakr and Imam ‘Ali in the Ilkhanid and Timurid Copies of the Jamiʿ al-Tawarikh [Volume 10, Number 20]
:: Shia’s Ark image Scrutinizing Soteriology Concept in Flood and the Ark Images [Volume 10, Number 19]
:: Shiite Paintings Paintings analysis of the “conquest of Khaybar”: Related to Timurid, Turkmen and Safavid periods [Volume 5, Number 10]
:: Social Isolation Schema. Using Jacques Lecoq Clowning in Psychodrama Based on Jeffrey Young's Social Isolation Schema [Volume 15, Number 29]
:: Sociology of Art Parallel Histories: A Comparative Study of Modern Art in the Works of Jalil Ziapur (Iran), Shakir Ali (Pakistan), Javad Salim (Iraq) [Volume 12, Number 23]
:: Soundtrack in film Comparative Studies of Music Scoring in Video Games and Movies [Volume 11, Number 21]
:: Subject. A Comparative Analysis of Female Subject Representation in Instagram Photos Based on Baudrillard's Hyperreality [Volume 11, Number 22]
:: Suls inscription. Comparative Study of Tile Work Inscriptions of Baysonqorid Shahnameh Paintings and Buildings of Eastern Territory of Timurids [Volume 9, Number 17]
:: Sun picture Study of symbolic pictures of the Sun in mihrab and mihrab form Tombstones of 4th to 7th centuries of Hijri calendar [Volume 7, Number 13]
:: Susan Luckman A Comparative Study of Iranian and Turkish Formal Education System of Handicraft: With the approach of [Volume 9, Number 17]
:: Timurid Comparative Analysis of the Illumination Components of the Frontispieces in Shiraz School Manuscripts from Injuid Period to Timurid Period [Volume 7, Number 13]
:: Timurid coins A comparative study of composition of visual elements and calligraphy changes of inscriptions in Ilkhanid and Timurid coins [Volume 14, Number 27]
:: Torment Pictures Studying Torment Pictures in the "MirajNameh Shahrukhi" and Comparing them with the Pictures of "Holy Sutra of the Ten Kings" [Volume 9, Number 18]
:: Turkey Comparative Study of the Role of Foreign Architects in Iran’s and Turkey’s Contemporary Architecture during 1920-79PB (1300-57SH) [Volume 7, Number 13]
:: U.S Achievement to Solutions to Improve the Educational Conditions of Master of Arts in Illustrations (Through Comparison between the Educational Program at Tehran University and the Academy of Art in San Francisco [Volume 6, Number 11]
:: Visual features interaction A Comparative Study of Visual Features Interaction in Safavid and Mughal Acension Paintings [Volume 7, Number 14]
:: Warqa – Golshah. Comparative Atudy of Turfan and Warqa – Golshah’s paintings in Seljuk Era [Volume 5, Number 10]
:: Western Miniature and Painting. Comparison of paintings of Tower of Babel, miniatures of Behzad and a painting by Sahifeh Banu - similarities and differences [Volume 7, Number 13]
:: Woman. Study of the Characteristics of Iranian Postmodern Cinema Based on Umberto Eco's Semiotics (Case Study: The Film "Shirin" by Abbas Kiarostami) [Volume 14, Number 28]
:: Youssef Prophet TV series. Intersemiotic Translation in The story of Joseph and Potiphar's Wife in Kamaluddin Behzad’s Painting and Youssef Prophet TV series [Volume 13, Number 25]
:: aesthetics in architecture and music Common Aesthetic Elements in Architecture and Music (Renaissance Case Study) [Volume 7, Number 14]
:: and Soft Power Comparative Study of Chinese and American Music Diplomacy after 9/11 [Volume 8, Number 16]
:: artist. The Relation between Visual Associations of a Random Fixed Cardboard Piece and Introversion-Extroversion as well as the Level of Creativity in a Group of Visual Artists [Volume 5, Number 9]
:: artistic motifs. Intertextual relation in common Artistic Traditions and Motifs of Elamite and Achaemanid [Volume 8, Number 15]
:: bird and animal motifs. A Comparative- Analytical Study of Pottery Patterns of Aghkand with the Textile Patterns of 4th-6th Centuries AH [Volume 6, Number 11]
:: cancer Alignment of Film and Society: Cancer in Iranian Cinema [Volume 13, Number 26]
:: carnival A Comparative Study of African Masks’ Visual Structure and the Masks in the Artworks of James Ensor [Volume 4, Number 8]
:: comparative study A comparative study of Arak underground carpet design with Kashmar and Tabriz underground from a Stylistics Perspective [Volume 15, Number 29]
:: composition Matching the Illuminations of three Versions of Quran Qajar Period with an Emphasis on their Visual Features [Volume 7, Number 14]
:: contemporary Arab visual arts. Middle Eastern Art in the Transmodern Paradigm: The Study of Three Movements in the Contemporary Art of the Middle East [Volume 11, Number 22]
:: cover of the head. A comparative study of men's head covering in the Timurid and Safavid periods(A case study of the illustrations of Shahnameh Baysongori and Shah Tahmasabi) [Volume 12, Number 24]
:: cultural imaginary geography Cinematic Thinking and Fragmentation of the Imaginary Cultural Geography [Volume 7, Number 13]
:: culture-oriented products Revisiting patterns from the exemplary garden design carpets of Tabriz based on culture-centered design models in order to understand how to translate cultural symbols into product features [Volume 13, Number 26]
:: dervish-work. A Comparative Study of Sashiko Needlework in Japanese Kimono and Dervish Embroidery in Iranian Sufi Clothing [Volume 8, Number 15]
:: designs. Introducing and comparative study of kubachi tiles of Vazir bathhouse in Isfahan [Volume 8, Number 15]
:: fluidity. A Comparative Study of Representation of Shore in the Works of Nima Yushij and Bahman Mohasses [Volume 5, Number 9]
:: form and motif matching. Comparative Study of the Form and Motif of Metal and Glassware in the 5th and 6th Centuries AH [Volume 10, Number 20]
:: geometric structure. A Comparative Study of Motifs in Four Ilkhanid Mihrabs in Isfahan Province (Pirbakran Mausoleum, Oshtorjan Mosque, Haftshuyeh Mosque and Oljaito) [Volume 6, Number 12]
:: graphic design. On Phenomenological Aspects of Minimalism in the Field of Graphic Design [Volume 12, Number 24]
:: he Art of the Italian Renaissance Comparative Research of Sani ol-Molk’s Works, Raphael’s the Madonna of Foligno and the Transfiguration [Volume 7, Number 13]
:: improvised music The relation of improvisation in music & Social character of improviser [Volume 5, Number 9]
:: inner progression A Comparative Study of Art in Islamic Futuwwat and Zen Buddhism [Volume 4, Number 8]
:: men’s clothes A Comparative Study of Men’s Clothes in Travel Memoirs and Drawings of Safavid Period [Volume 6, Number 12]
:: minaret. A Comparative Study of Brick Kufic Inscription Construction in Five Seljuk Buildings of Isfahan [Volume 6, Number 12]
:: motif Dragon Motif and Concept in the Iranian and Chinese Textures (With an Emphasis on Safavid Era in Iran and the late Ming and Early Qing Eras in China) [Volume 6, Number 11]
:: motif. Studying the Importance of Hunting Motif during the Early Qajar Period Based on Artistic Evidences [Volume 6, Number 12]
:: motifs. A Comparative Study of Glass-Working Motifs of Seljuks in Iran and Fatimids in Egypt during 12th-13th Centuries (A.D) [Volume 5, Number 9]
:: movie. A comparative analysis of the movie ‘Living’ and the novella ‘The Death of Ivan Ilyich’ based on the concept of Dasein’s Authenticity, according to Heidegger [Volume 15, Number 29]
:: ornaments Motifs Used in the Art of Sistan and Baluchestan (Case Study: Ceramics, Hand-woven, Roudouzi and Jewelry) [Volume 6, Number 11]
:: painting Identity Representation in the artworks of Contemporary Iranian Photographers and Painters [Volume 13, Number 26]
:: painting. Comparative analysis of effective criteria on the system of arts in the aesthetics of Kant and Deleuze with an emphasis on painting [Volume 14, Number 27]
:: paradigm The Study of Identity-Making Patterns in the Identity of Iran’s Contemporary Architecture [Volume 4, Number 8]
:: poem. Analyzing photograph (photo) by linguistic types [Volume 8, Number 15]
:: pottery- Nishapur- minimalism- aesthetic The Study of 5 Selected Works of 9th to 11th Century AD Nishapur Pottery Comparing with Minimalism Ideas [Volume 6, Number 12]
:: printing industry. The Action of Social Factors Affecting Formation of Iranian Modern Graphics in Qajar Era [Volume 6, Number 12]
:: real order. A Comparative Study of Pari and Hamoon’s Encounter (in Mehrjui’s Movies) with Lacanian Symbolic Order [Volume 6, Number 12]
:: semiotics. A Semiotic Study on Social Interpretations of Hafiz Poetry Presented in the Litographic Illastrations By Mirza Ali Qoli Khoie [Volume 6, Number 12]
:: short film. The picture in Charpara is from the frame of visual and visual arts [Volume 14, Number 28]
:: similarities Introducing a Criteria for Comparative Research Based on Kerry Walk’s Model [Volume 6, Number 11]
:: spirituality. comparative study of Seyyed Hossein Nasr and Annemarie Schimmel's views on the spiritual aspects of Islamic Calligraphy [Volume 14, Number 28]
:: subjection. Comparison of the Failure of Two Main Characters's Life Plans in Hamoon by Dariush Mehrjui [Volume 14, Number 28]
:: symbol. Human and Animal Symbols on the Discovered Potteries in Three Regions of Fars’ Tal Bakun, Kashan’s Sialk Hills and Nahavand’s Gian Hills Abolghasem Dadvar [Volume 4, Number 8]
:: telelogy The Relation between an Artist’s Contemplation on Beauty-Witnessing and Enhancing the Efficiency in the Process of Artwork Creating [Volume 6, Number 12]
:: texture Interpretation of the Architectural and Musical Elements in a Common Language [Volume 6, Number 11]
:: the Fertile Crescent. Comparative Analysis of the Early Human Figurines in the Fertile Crescent (Levant, Mesopotamia, Anatolia & Western Iran) [Volume 4, Number 8]
:: the historical period of Iran. A Comparative Study of the Relation between Sculpture and Bas Reliefs of Butkara Site in Pakistan and Historical Period of Iran [Volume 5, Number 9]
:: theatre The Presence of Lessing's Laocoon Tradition in the Two Writings of Rudolf Arnheim and Erwin Panofsky on Cinema [Volume 13, Number 26]
:: tile The Story of “Bahram Gur and Kanizak” in the Mirror of Literature and Art [Volume 5, Number 10]
:: traditional calligraphy Studying the geometric structure of the painting depicting the killing of Arjasab by Esfandiar in Ruain Dej. (Shahnameh Baysanghori version, 833 AH) [Volume 13, Number 25]
:: traditional design and production A Survey on Analogy between Sustainable Design Approach and Production of Iran’s Traditional Islamic Chivalry rituals [Volume 7, Number 14]
:: typology and architecture of caravanserai. Comparative Study of Architectural Space in the Prominent Safavid Caravanserais of Isfahan Bazaar (case study: Shah, Sarutaqi and Madar-Shah caravanserais) [Volume 4, Number 8]
:: visual solution of legitimization. Visual solutions in visualizing and legitimizing astrology in illustrated Falnama of the Safavid era [Volume 8, Number 15]
:: whole-part ratios. Comparison of authorial perception in Ikhwan al-Safa’s view with Gestalt perception in art based on the relationship between the whole and the parts [Volume 13, Number 26]
:: world art universities A Comparative Study of Graphic Design Curriculum of Undergraduate Program in Iran and Selected Art Universities in the World [Volume 5, Number 9]
:: zoomorphic ceramic statues Introduction to recognition of Iran’s zoomorphic ceramic statues during 6th to 8th centuries after Hijrah [Volume 7, Number 13]
::   Muhammad Juki The Issue of Succession in the Illustrated Shahnamehs of the Three Timurid Princes (Shahnamehs of Baysunghur, Ibrahim Sultan and Mohammad Juki) [Volume 12, Number 24]

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