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XML A comparative study of various types of Gereft-o-Gir motifs in the art of tiling the prominent buildings of the capital cities of the Safavid (Isfahan) and Qajar (Tehran) periods
Roya Esmi, Habib Shahbazi Shiran *
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XML Manifestation of sacred thought in the architectural structure and rituals of the southern of sherin Kerman, relying on the ideas of Mircha Eliade
Yosof Faryabi *, Zohre Tabatabaei, Alireza khoddami
Abstract -   Full Text (DOCX)
XML A Comparative Analysis of the Evolution of Player Agency in Interactive Narratives: Examining the First to Sixth Generations of Video Games
Ali Razizadeh *
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XML The comparative analogy of the structure and content of Sacrifice of Ismael painting: a case study of the work in Haftanan (Zand era) and Mohammad Zaman's work (Safavi era)
Atefe Takrar, Elaheh Panjehbashi *
Abstract -   Full Text (DOCX)
XML Digital Rhizomes: An Exploration of Contemporary Installation Art Centered on Artificial Intelligence (A Comparative Study of Memo Akten and Refik Anadol)
Razieh Mokhtari Dehkordi *, Majid Asadi Farsani
Abstract -   Full Text (DOCX)
XML A Comparative - Analytical Study of the Image of Farangi Woman in Nasir al-Molk House, from Qajar Shiraz
Alireza Baharlou, Marzieh Ghasemi *, Ladan Selahi, Kianoosh Motaghedi
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XML A Neuropsychological Analysis of Music in Sufi Sama and Shamanic Rituals
Haniye Pakravan, Ehsan Reisi *
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XML Comparing the Historical Context of Two Generations of Ecofeminist Artworks
Sadreddin Taheri *
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XML A Critical Analysis of the Relationship Between the Newly Discovered Qajar Version of the Treatise
Elham Pourafzal, Abolfazl Arabbeigi *
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XML The Dialectics of Fidelity and Radicalism in Cinematic Adaptation: Designing and Validating the MDAA Model in Cross-Cultural Studies
khosro Sina *
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XML A Comparative Study of Selected Experimental Animations from Canada and the United States: A Case Study of Six Works (1949–1976)
Mahdie Aghaei, Mohammad Ali Safoora *
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XML Structural, Artistic, and Authenticity Conformity of the Colophon of the Florence Manuscript of the Shahnameh (614 AH) with Calligraphic Traditions in the Seljuk Period
Mehdi Garshasbi *
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