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Using Jacques Lecoq Clowning in Psychodrama Based on Jeffrey Young's Social Isolation Schema Kamran Changiziyan, Ghazal Eskandarnejad
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A Comparison of the use of the archetype of the lover in the visual characteristics and personality of three brands: Chanel, Nescafe and Estee Lauder Morteza Haraeeni, Maryam Kahvand
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Examining the Semantic Status of Eros Based on Byung-Chul Han’s Perspective with a Focus on the Film Shame Behzad Asadi, Mohammad Shokry
*, minoo khany
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A Comparative Analysis of the Sacrifice of the Son in the Paintings of Mohammad Zaman and Marc Chagall Based on Søren Kierkegaard’s Perspective on the Story of Prophet Abraham Masoumeh Roushenasi Gharadaghloo
*, Marziyeh Piravivanak, Behrouz Soheili Esfahani
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A comparative study of the visual elements of three images from the books Jame al-Tawarikh and Majam al-Tawarikh with the subject of the Battle of Uhud zahra khodadad, Pejman Dadkhah
*, Mohammed reza Sharifzadeh
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A comparative study of Arak underground carpet design with Kashmar and Tabriz underground from a Stylistics Perspective Foroozan Salimi, Farhad Babajamali
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The influence of Mehr's foundations on the formation of Persian garden patterns Susan Bayat
*, Seyyed Abolqasem Hosseini
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A comparative study of the main characters of Staircase plays and Mr. Asrari's press world from the perspective of Hans Eysenck's trait psychology Afruz keshavarz, Mohammad Reza Sharifzadeh
*, Seyed Mostafa Mokhtabad Amrei
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The comparative analogy of the structure and content of Sacrifice of Ismael painting: a case study of the work in Haftanan (Zand era) and Mohammad Zaman's work (Safavi era) Atefe Takrar, Elaheh Panjehbashi
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A Comparative Study of the Concept of »Motherland« in the Cinema of Andrey Tarkovsky and Bahram Bayzai: A Case Study of the Films The Mirror and Bashu the Little Strange Mehrnoush Rezaei, Majid Fadaei
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