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Cinematic Thinking and Fragmentation of the Imaginary Cultural Geography Marzieh Piravi Vanak
*, Mohammad Bagher Ghahramani, Hamed Mazaherian, Alireza Sayyad
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Study of Four Persian Paintings of Qajar Era according to the visual perception theory of Ernest Hanes Josef Gombrich’s (Case study: “Farhad carries Shirin’s horse on his back”) Ameneh Mafitabar
*, Fatemeh Kateb, Mansour Hesami
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Comparative Study of Scientific Depiction of Alhshaysh Version in Astan Quds Razavi and its Former Counterpart’s Versions Abouzar Nasehi
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Introduction to recognition of Iran’s zoomorphic ceramic statues during 6th to 8th centuries after Hijrah Hashem Hosseini
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Study of symbolic pictures of the Sun in mihrab and mihrab form Tombstones of 4th to 7th centuries of Hijri calendar Shahrbanoo kameli
*, Ahmad Aminpoor
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Comparative Research of Sani ol-Molk’s Works, Raphael’s the Madonna of Foligno and the Transfiguration mehdi Hosseini, Ali Boozari
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Comparison of paintings of Tower of Babel, miniatures of Behzad and a painting by Sahifeh Banu - similarities and differences Jalaleddin Soltan Kashefi
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Comparative Analysis of the Illumination Components of the Frontispieces in Shiraz School Manuscripts from Injuid Period to Timurid Period Samad Samanian
*, Elham Pourafzal
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Comparative Study of the Role of Foreign Architects in Iran’s and Turkey’s Contemporary Architecture during 1920-79PB (1300-57SH) Naser Hassanpour
*, Hossein Soltanzadeh, Kaveh Bazrafkan
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Comparative study of Prefaces written by Doust Muhammad Gvashany Qutb al-Din Muhammad sources Safavid art Akram Najafipor
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