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XML A Comparison of Meaningful Structure of Paintings and Social Class of Artists in the Illumination of the Great Shahnama of Ilkhanid and SAMAK-E AYAR
Nikoo Moghtadaie, fataneh mahmoudi *, Seyed Rasool Mosavi Haji
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XML Reading the Rembrandt’s Self-Portraits Based on the Concept of Lacanian Object
Elaheh Shams NajafAbadi, mis Afsaneh Nazeri *
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XML Comparison of Gereh-chini Decorations in Visual Structure of theOpening Windows of the two Historical Villages of Masouleh and Abyaneh
Saeid Hasanpour Loumer *, Siroos Jamali
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XML Criteria of Artistic Expression in the First and Second Half of Qajar Era with an Emphasis on the Murals of Royal Reception in Negarestan Palace and Nezamiyeh Mansion
Marziyeh Ghasemi *, Alireza Baharlou
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XML Review and Comparison of the Visual Characteristics of Anubanini and Bistoon Rock Reliefs
Hadi Ghaempanah, Mahtab mobini *
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XML Studying Mandarin Square Badge Designs in Ilkhanid and Timurid Garments and Matching them with Yuan and Ming Chinese Garments
Mahdi MohammadZadeh *, Parvin Babaei, Somayeh Zadamiri
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XML Scrutinizing Soteriology Concept in Flood and the Ark Images
Shadi Jalilian, Mohsen Marasy *, Mohammadreza Hasanijalilian
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XML Providing a Model for Shaping the Subject in Comparative Studies and Research in the Field of Art with Emphasis on Interdisciplinary Studies
MajidReza Moghanipour *, Seyed Javad Zafarmand
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