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A Comparison of Meaningful Structure of Paintings and Social Class of Artists in the Illumination of the Great Shahnama of Ilkhanid and SAMAK-E AYAR Nikoo Moghtadaie, fataneh mahmoudi
*, Seyed Rasool Mosavi Haji
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Reading the Rembrandt’s Self-Portraits Based on the Concept of Lacanian Object Elaheh Shams NajafAbadi, Afsaneh Nazeri
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Comparison of Gereh-chini Decorations in Visual Structure of theOpening Windows of the two Historical Villages of Masouleh and Abyaneh Saeid Hasanpour Loumer
*, Siroos Jamali
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Criteria of Artistic Expression in the First and Second Half of Qajar Era with an Emphasis on the Murals of Royal Reception in Negarestan Palace and Nezamiyeh Mansion Marziyeh Ghasemi
*, Alireza Baharlou
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Review and Comparison of the Visual Characteristics of Anubanini and Bistoon Rock Reliefs Hadi Ghaempanah, Mahtab mobini
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Studying Mandarin Square Badge Designs in Ilkhanid and Timurid Garments and Matching them with Yuan and Ming Chinese Garments Mahdi MohammadZadeh
*, Parvin Babaei, Somayeh Zadamiri
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Scrutinizing Soteriology Concept in Flood and the Ark Images Shadi Jalilian, Mohsen Marasy
*, Mohammadreza Hasanijalilian
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Providing a Model for Shaping the Subject in Comparative Studies and Research in the Field of Art with Emphasis on Interdisciplinary Studies MajidReza Moghanipour
*, Seyed Javad Zafarmand
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