Scientific Journal of Motaleate-e Tatbighi-e Honar

You can copy/paste HTML codes anywhere you like, for example in homepage, or even other sites
<div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2108"><img src="./templates/tmpl_modern01/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> A Critical Analysis of the Relationship Between the Newly Discovered Qajar Version of the Treatise</strong><br> Elham Pourafzal, Abolfazl Arabbeigi ^*<br><a href="article-1-2108-en.html">Abstract</a> <a href="browse.php?a_id=2108&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=2108&sid=1&slc_lang=en&ftxt=1">Full Text</a> (DOCX) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2091"><img src="./templates/tmpl_modern01/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> The Dialectics of Fidelity and Radicalism in Cinematic Adaptation: Designing and Validating the MDAA Model in Cross-Cultural Studies</strong><br> khosro Sina ^*<br><a href="article-1-2091-en.html">Abstract</a> <a href="browse.php?a_id=2091&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=2091&sid=1&slc_lang=en&ftxt=1">Full Text</a> (DOCX) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2115"><img src="./templates/tmpl_modern01/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> A Comparative Study of Selected Experimental Animations from Canada and the United States: A Case Study of Six Works (1949–1976)</strong><br> Mahdie Aghaei, Mohammad Ali Safoora ^*<br><a href="article-1-2115-en.html">Abstract</a> <a href="browse.php?a_id=2115&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=2115&sid=1&slc_lang=en&ftxt=1">Full Text</a> (DOCX) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2081"><img src="./templates/tmpl_modern01/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Structural, Artistic, and Authenticity Conformity of the Colophon of the Florence Manuscript of the Shahnameh (614 AH) with Calligraphic Traditions in the Seljuk Period</strong><br> Mehdi Garshasbi ^*<br><a href="article-1-2081-en.html">Abstract</a> <a href="browse.php?a_id=2081&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=2081&sid=1&slc_lang=en&ftxt=1">Full Text</a> (DOCX) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2095"><img src="./templates/tmpl_modern01/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Defamilirizatiom in the Picture books "If at First You do not See" and "I Know Something You don’t Know", Based on Shklovsky′s Formalist Poetics</strong><br> Amir Hossein Zanjanbar ^*<br><a href="article-1-2095-en.html">Abstract</a> <a href="browse.php?a_id=2095&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=2095&sid=1&slc_lang=en&ftxt=1">Full Text</a> (DOCX) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2100"><img src="./templates/tmpl_modern01/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> A Discourse analysis of “Bidari-e Ma” and “Alam-e Zanan” Magazines on Women’s Fashion: A Comparative Study</strong><br> Marzieh Eslami ^*, Samaneh Rostambeigi, Sayyed Ahmadi Zavieh<br><a href="article-1-2100-en.html">Abstract</a> <a href="browse.php?a_id=2100&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=2100&sid=1&slc_lang=en&ftxt=1">Full Text</a> (DOCX) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2143"><img src="./templates/tmpl_modern01/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> The Scene of Siavash’s Killing in Three Coffeehouse Paintings: An Analytical Comparison Based on Greimas’s Actantial Model</strong><br> Adham Zargham ^*, Elnaz Dastyari<br><a href="article-1-2143-en.html">Abstract</a> <a href="browse.php?a_id=2143&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=2143&sid=1&slc_lang=en&ftxt=1">Full Text</a> (DOCX) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=2130"><img src="./templates/tmpl_modern01/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> A Comparative Analysis of Everyday Life in the Works of Kiarostami and Hopper: Based on Henri Lefebvre’s Critique of Everyday Life (Case Studies: Close-Up, The Wind Will Carry Us, Soir Bleu, and Gas)</strong><br> Azin Eslami Shoabjereh ^*, Alireza Mehdizadeh<br><a href="article-1-2130-en.html">Abstract</a> <a href="browse.php?a_id=2130&sid=1&slc_lang=fa"></a> -   <a href="browse.php?a_id=2130&sid=1&slc_lang=en&ftxt=1">Full Text</a> (DOCX) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div>

---

Back to Original Issue

---