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A comparative study of pragmatist aesthetics in two examples of painting poetry by artificial intelligence from the two cultures of China and Iran (the studied examples: the work of birds and fishes by Mahmoud Farshchian and the work of Koh Bahar and the fishing boat) Zahra Rahbarnia
*, Fereshte Ebrahimy
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The picture in Charpara is from the frame of visual and visual arts Esmaeil Bahmani, safiyeh moradkhani
*, Mohammadreza Roozbeh, Mohammad Khosravi Shakib
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A comparative study of the use of technology in art curriculum in selected countries in order to provide guidelines for art education in Iran Delaram Darvishpour, Hossain Hassani
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A comparative analysis of the movie ‘Living’ and the novella ‘The Death of Ivan Ilyich’ based on the concept of Dasein’s Authenticity, according to Heidegger Ahmadreza Majdnia
*, Behrouz Soheili Esfahani
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The angle of view in the Ascension of the Prophet (PBUH) from Khamsa Nizami, based on the theory of Gérard Genet Ali Reza Khaje Ahmad Attari
*, Narges khatoon Toghan
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The Emergence of Abstract Symbols in Joan Miró's Blue Trilogy: A Comparative Analysis from the 1920s to the 1960s Sepehr Imanpour, Hamidreza Rohani
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