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A comparative study of decorations in the architecture of courtyards of Qajar and first Pahlavi period houses in Shiraz Amin Sohrabi, Niloufar Malek
*, Mohammad Aliabadi, Bahareh Taghavinezhad
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The Presence of Lessing's Laocoon Tradition in the Two Writings of Rudolf Arnheim and Erwin Panofsky on Cinema Majid Parvanehpour
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Revisiting patterns from the exemplary garden design carpets of Tabriz based on culture-centered design models in order to understand how to translate cultural symbols into product features Bahareh Teimouri, Ahad Shahhosseini
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Identity Representation in the artworks of Contemporary Iranian Photographers and Painters Fereshteh Dianat
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Comparison of authorial perception in Ikhwan al-Safa’s view with Gestalt perception in art based on the relationship between the whole and the parts Naser Sadati
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Alignment of Film and Society: Cancer in Iranian Cinema Ehsan Aqababaee, Zahra Lotfi Foroushani
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