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Introducing a Criteria for Comparative Research Based on Kerry Walk’s Model marzieh piravivanak
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A Comparative Study of the Design and Pattern Structure of Shahsevan Rugs in Iran North-west, Center and South of Iran Ali Vandshoari, Mina Asgari
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Demystifying of Design Thinking and its Principles Amir Masoud Faridizad
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The Study of Floral Motifs in Pre-Islamic Iran and its Comparison with the Signs of Quran in 4th- 9th centuries AH maryam khodammohammadi, Mohsen Maryam Marasy
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Achievement to Solutions to Improve the Educational Conditions of Master of Arts in Illustrations (Through Comparison between the Educational Program at Tehran University and the Academy of Art in San Francisco Zahra Rahbarnia, Mahkameh Janani
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Dragon Motif and Concept in the Iranian and Chinese Textures (With an Emphasis on Safavid Era in Iran and the late Ming and Early Qing Eras in China) razieh nayebzadeh, samad samanian
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Motifs Used in the Art of Sistan and Baluchestan (Case Study: Ceramics, Hand-woven, Roudouzi and Jewelry) Anahita moghbeli, fatemeh shiraliyan
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Interpretation of the Architectural and Musical Elements in a Common Language timan samipour, Seyed Ali seyedian
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A Comparative- Analytical Study of Pottery Patterns of Aghkand with the Textile Patterns of 4th-6th Centuries AH reza rezalou, yahya ayramlou
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A Comparative Visual Research between Universities’ Websites in Iran and the Other Countries Seyede Safa Ghasemi, Soodabeh Salehi
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