, mehdi.arsha@yahoo.com
Abstract: (7 Views)
The manuscript of Ferdowsi's Shahnameh preserved in the National Library of Florence, dated 614 AH (1217 CE), is considered one of the oldest and most valuable copies of this epic. This study aims to provide a structural and artistic analysis of the manuscript, focusing on calligraphy, illumination (ketāb-ārāyi), ornamentation, script style, and its colophon (anjām). It addresses a notable research gap, since earlier studies mainly examined literary, narrative, and textual variants across Shahnameh manuscripts. By contrast, this investigation explores the artistic and structural features of the Florence copy, offering a comprehensive understanding of its artistic values.The methodology is qualitative, based on comparative study and library research. First, the history of prior scholarship on this manuscript is reviewed. Then, the analysis turns to prominent artistic features of the Seljuk period, such as the use of naskh and kufic scripts, eslimi (arabesque) ornamentation, and inscribed bands (ketibe-hā). The central research question concerns authenticity: Is the colophon genuine in terms of calligraphy and illumination? Do its style and content correspond to other works of the same era, and how can these similarities be evaluated? The study’s primary focus is the colophon of the Florence manuscript, alongside a critical assessment of claims about its authenticity or forgery, with emphasis on Seljuk traditions of calligraphy and book illumination. The examined elements reveal a deep connection between the Florence manuscript and Seljuk artistic traditions. By comparing its colophon with contemporaneous copies—including authenticated Seljuk manuscripts—the research provides strong evidence supporting authenticity. Findings show that the Florence manuscript aligns with Seljuk standards of book illumination in artistic and structural terms. Moreover, its colophon, supported by historical and stylistic evidence, confirms authenticity. These results highlight the manuscript’s importance as a remarkable testament to Seljuk art and culture.
Article number: 12
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